What Year Did Diversity Win Bgt
You know that feeling when you finally find the remote after fifteen minutes of looking, and it was in the freezer next to the peas the whole time? That’s the exact vibe of trying to pin down the exact year “Diversity” won Britain’s Got Talent. It wasn’t a single year. It was a slow, hilarious takeover, like when your quiet cousin suddenly starts breakdancing at the family barbecue and you realize the whole party is now hers.
We weren't looking for a winner. We were looking for a reflection.
Let’s be honest: the early seasons of BGT were a glorious, chaotic mess. You had your opera singers, your dogs in tiny sweaters, and your magicians who made doves disappear. But somewhere around 2013, the show stopped being just about talent and started being about who we wanted at the dinner table. The winner wasn’t just a person; it was a vibe.
Remember the year Attraction took the crown? That was 2013. A shadow dance troupe—Hungarian, emotional, wordless—won by telling a story of immigration and loss. The audience didn’t applaud because they were the best dancers. They applauded because they saw their own awkward Uncle Zoltán in that story. That’s when diversity started whispering “I’m here.”
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Then came the year of the choir that didn’t need to be perfect.
Fast forward to 2019. Colin Thackery, a 89-year-old Chelsea Pensioner in a bright red coat, won singing “Wind Beneath My Wings.” He was the most non-diverse person on paper—old, white, military. But here’s the twist: the audience didn’t cheer because he was a stereotype. They cheered because he was himself in a world that tells old people to sit down and be quiet. That’s diversity of age, of experience, of just refusing to give up your mic.
And then, in 2020, a pandemic hit. The show went virtual. Every contestant filmed on a crappy phone in their kitchen. Suddenly, the winner wasn’t a glitzy act. It was Jon Courtenay, a bloke who sang about dogs, his mum, and eating too many biscuits. He won because he was relatable. He was diversity in the form of “we’re all messy and hungry.”
The real answer? It was never a single year.
If you press me, I’d say 2014 was the quiet watershed moment. That’s the year Bars and Melody—a duo of a white guy rapping and a Black guy singing—made the final. The judges literally cried. The show realized that a mixed-race, multi-genre friendship act could beat a flawless opera singer. It was like discovering your mashed potatoes work better with garlic. Why didn’t we try this before?
But don’t forget 2022. That’s the year Axel Blake, a comedian from a council estate, won by telling jokes about his nan and his neighbor’s weird cat. He didn’t juggle or sing. He just talked. And won. The message was clear: your life, your voice, your weird cat story—that’s the talent.
You see, diversity winning BGT isn’t a year you can circle on a calendar. It’s like trying to say “what year did your neighbor finally ask you for a cup of sugar?” It happened so slowly you didn’t notice. First it was a shy boy with a violin from a council estate (2016, Tokio Myers). Then it was a mad Moroccan dancer (2017, supposedly, but let’s be real—it was the year of the viral dance).

Let’s talk about the real winner: the audience.
Because here’s the thing—we are the judges. Every year, the voting public picks someone who looks like their cousin, talks like their mailman, or dances like their aunt after two glasses of wine. And slowly, year by year, the “weird” acts—the ones with accents, disabilities, or a quirky hobby—stopped being the joke and started being the hero. That’s not a BGT statistic. That’s just life growing up.
Remember the year Lost Voice Guy won? 2018. He was a comedian who couldn’t speak. He used a voice app on an iPad. And he was hilarious. He won because we realized that funniness has nothing to do with your vocal cords. Diversity won that year not because of a disability, but because he reminded us that everyone has a voice, even if it comes from a robot.
So, what year did diversity win BGT?
It won the first time a shy kid from nowhere got a Golden Buzzer. It won when a dance crew dressed as soldiers made the whole country cry. It won when a granny sang “My Way” and meant it. It won every year you saw yourself in a contestant and felt a little less alone.
But if you really need a year? 2023. That’s the year Viggo Venn, a Norwegian guy in a neon yellow jacket, won by being a human traffic cone. He didn’t sing, dance, or speak English well. He just ran around in a silly costume and made everyone laugh. And we all thought: “Yep. This is where we are now. Anything can win.”
And that, my friend, is the ultimate diversity. The moment you realize the winner doesn’t have to be perfect. They just have to be themselves. Even if “themselves” is a man in a traffic cone. That’s when diversity truly won—and it was the year you finally stopped worrying about the remote and just enjoyed the show.
